Planet Connections so far
Jun. 8th, 2011 03:24 pmShow is going so well! I love Roberta now--I still have a healthy respect for all those monologues but I am so much more comfortable with them and am having a great time playing her. Apparently the other three actors have been flubbing lines a little bit--this is one good thing about ZOMG MONOLOGUES. It takes forever to learn them, but once they're learned, I only have to worry about myself, I don't have to stress about someone else flubbing their lines.
I will be heading down to the other theater to see Jenny Fersch's (SM from Pirates) play. I saw Kelly Monroe's (director 2.0 of this spring's Macbeth) play, "Hold," which was on a double bill with another play, "Monster." Kelly's play was pretty good (although I dozed through a bit of it)--a man who is calling a suicide hotline and keeps getting put on hold. The one actor we saw, the caller, was QUITE good. Difficult role, I was extremely impressed. The phone counselors/people on the other end of the line (voiceovers)--ehh. They were trying too hard, which is easy to do as an actor anytime you're "missing" a dimension. (I notice this in actors who have to act without lines--they mug, they indicate, they overact.) The other play was...err, pretty terrible. I feel bad saying that, I know they were struggling with lights and I can sympathize with that but--yikes. It was about child sexual abuse--the main character had gone through some kind of very traumatic incident and had regressed or some such shit. The doctor sparred with a detective who was sent there to question her and there were monologues from the MC's parents. Even in the most skilled actor's hands, this sort of topic is very, very difficult to handle without coming off as cheesy or exploitative, especially when you have an adult actor pretending to be a child. One of the very few showcases ever to make this sort of thing work was Sybil, which still holds up extremely well, but not only was Sally Fields amazing, she was surrounded by an amazing supporting cast. And it was film. "Monster" was no Sybil, I'll leave it at that. But I did like the opening poem that the AD read.
If you've seen Sweeter Dreams vote for us at the New York Innovative Theatre Awards! Interestingly all of us are listed as lead actors--Thomas, really? He's only in three scenes. (Although he's terrific in all of them--he, Heather and Scott are all uniformly great.) Ah, whatevs.
Loving all this heat. Mmmm, summer...
I will be heading down to the other theater to see Jenny Fersch's (SM from Pirates) play. I saw Kelly Monroe's (director 2.0 of this spring's Macbeth) play, "Hold," which was on a double bill with another play, "Monster." Kelly's play was pretty good (although I dozed through a bit of it)--a man who is calling a suicide hotline and keeps getting put on hold. The one actor we saw, the caller, was QUITE good. Difficult role, I was extremely impressed. The phone counselors/people on the other end of the line (voiceovers)--ehh. They were trying too hard, which is easy to do as an actor anytime you're "missing" a dimension. (I notice this in actors who have to act without lines--they mug, they indicate, they overact.) The other play was...err, pretty terrible. I feel bad saying that, I know they were struggling with lights and I can sympathize with that but--yikes. It was about child sexual abuse--the main character had gone through some kind of very traumatic incident and had regressed or some such shit. The doctor sparred with a detective who was sent there to question her and there were monologues from the MC's parents. Even in the most skilled actor's hands, this sort of topic is very, very difficult to handle without coming off as cheesy or exploitative, especially when you have an adult actor pretending to be a child. One of the very few showcases ever to make this sort of thing work was Sybil, which still holds up extremely well, but not only was Sally Fields amazing, she was surrounded by an amazing supporting cast. And it was film. "Monster" was no Sybil, I'll leave it at that. But I did like the opening poem that the AD read.
If you've seen Sweeter Dreams vote for us at the New York Innovative Theatre Awards! Interestingly all of us are listed as lead actors--Thomas, really? He's only in three scenes. (Although he's terrific in all of them--he, Heather and Scott are all uniformly great.) Ah, whatevs.
Loving all this heat. Mmmm, summer...