ceebeegee: (Default)
As many of you know, in '98-'99 I chaperoned/nannied/sistered a little girl named Mia in the Bernadette Peters revival of Annie Get Your Gun. It was an amazing experience, truly life-changing--without it, I wouldn't have gotten my cruise contract or moved to New York or met Peter. Well, my Little Munch is back in town on an internship. We've been trying to hook up for a couple of weeks now, and she called me tonight when I was down at Union Square, just having come from Trader Joe's. (OMG, that place is amazing. You really have to bust your ass to spend more than $20 on groceries there. It is the awesome.) As I left the Mickster called me, and then when I was on the phone with him, Mia called me. (I'm sorry for not calling you back, Mickey but I had to speak to my Little Munch!)

She came up to my place and it ended up being a New Orleans kind of evening--I made red beans and rice and hurricanes and served them in authentic Pat O'Brien's hurricane glasses. I said these drinks are very sweet and rum is sweet, so you won't be able to taste the rum very well, so you have to really monitor how you feel so you don't get hammered. She loved the drink and sipped away, and about a third into the drink she said I think this is my limit. I said that's good--you know your limit, I'm proud of you because it's very easy to go past that. She's going to New Orleans for 4th of July weekend for Habitat for Humanity (how AWESOME is that?) and I told her all about the city and CdM and Pat O's and the Quarter. I went into a loooooong explanation about Mardi Gras (krewes, parades, etc.) and New Orleans politics. After awhile she started talking about her internships and ambition vs. doing the work you really love--we had such a wonderful conversation, a real honest exchange of views. She is so idealistic like me--she has these amazing connections and advantages but is constitutionally unpolitical.

Duncan has met her briefly but most of the rest of y'all haven't. She is leaving town right before Twelfth Night goes up but she wants to come to a TN runthrough. I want everyone to meet her--she is such an amazing, charming young woman, so accomplished and sweet and genuine. I told her about Susan and Jason and Mickey and Paula and everyone else--she wants to meet everyone. I told her about Marie's and she totally wants to go there. We have to do that soon!

I just *adore* this girl. (And can I say how kind of wonderful it is that I knew her as a girl and yet she's like--almost an adult now?) She is the little sister I never had. My friend Joni once called me the patron saint of little girls--I really do bond with them, because I never had a sister and always wanted one. I'm so glad my Little Munch is here!
ceebeegee: (Default)
Okay, The Goodbye Girl remake is not as hateable as I'd feared. Hallie Eisenberg is enjoyable enough, albeit a little too obviously cute with the dimples and the curly hair. Patricia Heaton is competent, no more, and Jeff Daniels is better than I thought he'd be. But still--no one is as good as their original counterpart, and the whole project is just--unnecessary.

D'Agostino's is not where budget-conscious people shop, and there are few to no grocery stores in NYC where two grocery carts can fit side by side in an aisle. The mugging scene just doesn't work. This is not that New York. People do not get mugged in broad daylight in the Village these days--in that neighborhood more than most it would be difficult to make a getaway by car. And starving actors (Elliot's never worked in NYC, and Tony has only done Off-Off Broadway) and dancers cannot afford the palatial Village apartment shown in the remake. The place is HUGE. For that matter, why does Elliott sublet a two-bedroom apartment? Off Broadway doesn't pay that well, either. And why does Paula give up work of any kind, after hooking up with Tony? Three people absolutely cannot live in the Village on one starving actor's meager and intermittent pay. The NYC economy in '77 was different because it wasn't such a nice place to live then. But now everything is so much more expensive in real dollars.

I will say, the excessive "Neil Simon"ness of the original has been toned down, to good effect. That is, Daniels and Heaton throw away the lines more. I never liked the self-consciously quippy nature of his works.

Mia a couple of years ago would've been great as Lucy.
ceebeegee: (Default)
Carol, Little Munch's mom, emailed me last night--1) she has a proofreading project for me (yay--now I can buy a dual-deck VCR), and 2) Mia's being submitted for "A Little Princess" and could she possibly stay with me when she's in town for the audition? I said of course, although I can't really take her around much. So now, in October, I have to:

1) Fly down to DC to go to the farm;
2) Rehearse and perform a lead role in a full-length play;
3) Host Little Munch;
4) Start rehearsals for Fare for All;
5) Find time to workout;
6) Get my headshots and postcards printed up;
7) Do a mailing;
8) Proofread a manuscript.

sigh...
ceebeegee: (Default)
<guttural voice>dahhhhh....</guttural voice>

Good workout. Sweat. Tiredness. Satisfaction.

Mass-emailed an announcement last night about the Sam French Festival results and Little Munch emailed back, all full of exclamation points and hyper-excited phrases.

"go clara!!! oh, that is so awesome, congratulations!!!! I hope you got my letter- it tells you all about my high school and everything. I miss you so much!....i miss u tons!!!
luv ya!!! congrats!!!

love, mia"

God, she's adorable. Mattel should make MiaDolls. Squeaky-voiced little brunettes waifs, dressed in tailored clothes, singing the Torah. They'd clear the shelves. The hot new toy for Christmas '02.

Little MUNCH!!!

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