ceebeegee: (that is not what I meant at all)
What is in my iTunes shopping cart, downloading as we speak? Five History Channel eps: 1968 with Tom Brokaw, Greece: Engineering a Culture, Russia: Engineering a Culture, Henry VIII's Mega-Structures and The Seven Wonders of the World. Can't wait!

In less rarified pursuits, going to see the Knicks again tomorrow night. I saw them play last night and was absolutely shocked when they actually won! Oh my gosh, that never happens! It was close though--they had a decent lead (10-15 points) for most of the game and then lost steam. VERY lazy on the rebounds--don't they know rebounds are key?? You can't neglect the rebounds!!

Mmmm....

Mar. 24th, 2008 05:08 pm
ceebeegee: (Spring!)
...someone had a birthday today and when I came upstairs there was a piece of soft, cheesecake-y goodness waiting for me. YUM.

I've been downloading a ton of figure skating YouTube videos onto my iPod lately. All sorts of skaters--mostly ladies' singles, but a few pairs' and ice dancers' programs. I even found Tonya Harding's long program from '91 Nationals where she got 6.0s because of her triple axel (only the second woman in the world ever to complete a triple axel in competition). Man, she depresses me--what a waste of a damn good athlete. Do y'all know how hard a triple axel is? Even NOW, only a few women have ever been able to do them--more women attempt quads than triple axels, they're more difficult for women because of the upper body strength needed to get the extra half-revolution. I want to have sympathy for Tonya because I know she had a crappy upbringing but she is her own worst enemy, and her "me against the world" bravado is very offputting.

One person I did not download was Nancy Kerrigan--her skating puts me to sleep. (That spiral named after her, where she grabs her extended leg and reaches forward with her other arm? BO-RING. Much prefer Sasha Cohen's vagina-hinge fan spirals.) I was Team Oksana all the way in '94! I loved her long program, and her competitive fierceness in adding another triple into her program as she was still skating, to make up the difference in difficulty between her LP and Kerrigan's. LOVE that kind of fierceness!
ceebeegee: (Eloise in mirror)
I used part of one of my Christmas bonus gift certificates to buy an iPod Shuffle. Right now the only colors Apple has are these lame-o pastel colors--BOOO-RING.



I like the old Jolly Rancher green and orange they had, so I found an orange one from an Amazon dealer.



It's a little more expensive than the current ones (I paid just under $100 for it) but that's the breaks when you get what you want. It is so pretty! It's so ORANGE and the dealer gave a a free skin and metal case, which I got in green. It's so pretty and little. I love my video iPod but it's a little bulky sometimes.
ceebeegee: (Default)
I resisted going all digital for a very long time, because I have such a big collection of audio cassette tapes. It would cost me at least a thousand dollars to buy CDs of ALL the shows I have on tape, and of course I have stuff on tape for which there is no CD. Then I got the iPod, and wistfully mentioned something about transferring it all to digital. Jason said "actually there is such software--you could definitely re-format them to .mp3." I'm all "Woo hoo!" He sent me the link to a Better Living Through Technogeekery site, where a guy explains exactly how to accomplish this with minimal expense (software is free, just have to get a stereo cable which is around $5). I download the software and voila!

So for the past week or so I've been working on this project--I decided to start with my personal tapes of concerts and shows in which I performed. A few days ago I finished transferring and editing (the side of the cassette tapes is read as one long sound file by the software, which you must then chop up into individual sound files, which you then export as .mp3s) a concert I did with the Lost Colony Choir back in the summer of '91. We performed Mozart's Litany in B-flat major and I was the soprano soloist. It's really kind of cool listening to this. I LOVED that work (Mozart clearly had a thing for soprani--she gets by far the most stuff in the piece, two full soli plus a number of other lines in the choral numbers and duets. The poor bass soloist gets only 1 or 2 lines!). Most of my early training was in sacred music--I sang in my church choir for years and years, starting at age 7. We had a very strong program, and I still love singing in that pure, clean style. The Mozart Litany is sacred music--basically addressing God and Christ with different names and repeating "miserere nobis" (have mercy on us). The whole piece is written around that, and it's just incredible how many different moods the music evokes--joy, dread, yearning...It's just a great piece and I loved singing it. I would love to do it again.
ceebeegee: (Southwest cactus)
In my continuing obsession with all things iPod, I've been going through all my songs and making sure they all have correct information, including artwork (album covers), album name, composer, etc. I've also been adding lyrics and while searching the internet for song lyrics, came across this useful site. You can waste spend LOTS of time here: not only do they have lyrics, but lots of trivia--it's like Pop-up Video on a website!

So I'm listening to "Cat's in the Cradle" by Harry Chapin (you know, the song that every single straight man in America over the age of 30 sings at karaoke) and I'm all "hmm, I should add that to the iPod" and then thought I'd look it up. So I found it on Songfacts and was amused at this incisive commentary:

The verses start out with a natural harmony and depict the tale of a father with his newborn son. Although dad gets the necessities of child rearing accomplished, he doesn't allow himself to put in quality time with his son because of his career. Initially, this seems like no big deal because of his hectic and oblivious life working and paying bills. The recurring verse has the son saying, "I'm gonna be like you Dad, you know I'm gonna be like you..." Over time, both father and son grow into a switching of life roles. The father realizes his son's ambitions and goals of college, grades, and driving and wants to spend more time with him, yet slowly grasps the reality that now his son has no time for such things. In the last verse, Chapin illustrates that the "son" is all grown up with a fast paced job and kids of his own. In a glaring twist of roles, we see that the son now has no time to spend with his father. Sadly, dad realizes that his boy has become just like him.

Gee, ya think?! I mean, that's all pretty obvious!

And by the same contributor:

Some of the lyrics reflect America's movement into a faster paced, almost numb society, hence the line, "Little boy blue and the man on the moon."

Huh? Stop trying to be deep, dude.

But this is fascinating (from the page on Dan Fogelberg's "Same Old Lang Syne"--what? I love that song):

The melody phrase at the beginning of each verse ("Met my old lover at the grocery store...") was taken by Fogelberg from Tchaikovsky's "1812 Overture." (To get the effect, just sing that lyric twice, slightly speeded up. Maybe add a few fireworks explosions for good measure.) This song is one of several Pop tunes that have phrases or entire melodies ripped off from classical composers - Paul Simon's "American Tune" (from J.S. Bach), Billy Joel's "This Night" (from Beethoven), among others.

So cool! I'd never noticed that!
ceebeegee: (Southwest cactus)
I'm surfing different computer websites right now, pricing out hard drives, and of course these sites usually also carry iPod accessories. Look at the prices on these identical items:

J&R iPod carrying case

CompUSA iPod carrying case

Whoah! It's worth it to wait until Saturday (probably the next time I'll be able to get down to J&R).

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