Closing night, Admit Impediments
May. 24th, 2007 02:00 pmWe had a nice big crowd last night--not quite as big as Tuesday (which was one seat short of sold out) but big and very appreciative, lots of laughter. Kelly, Letham, Michelle, Tim, Tracy, Don, Jason, Alex's mother and a bunch of other people were all there. It wasn't the easiest show for me--Ken was out so I had to run sound which was stressing me out--but that actually went pretty smoothly.
My favorite Admit Impediments moments:
*Veronica's verse in the Act I finale: No matter what you do/Everyone dies alone, it's true/Marry or not, pick any guy/Because we all go alone/When we die. I always looked up to watch that--Alex's simple delivery was just heart-breaking.
*Booth's halting "No...actually...no one ever offered me hot gay pubescent sex..."
*The way Duncan's voice dropped, responding to Asif: "Excuse me?" with the raised eyebrow. Also loved his next two lines: "Oh no, Veronica--your husband did NOT just call us retarded!" and "You can trust me--my boyfriend is a MAN." I love seeing Ritchie finally get riled up.
*Dominic when he butches it all up: "What the FUCK is that supposed to mean?" "What? Come on." "I'm going back in there and kick that motherfucker's ass!"
*Paula and Booth's perfect timing on "Stick on the top shelf...right next to the open jar of mayonnaise." "Right-o."
*Veronica and Ritchie's exchange: "Isn't he the butchiest when he talks that way?" and Ritchie's shameful agreement: "Actually, that was kind of hot..."
*Booth's look of chagrin on "I'm never going to live that down, am I?"
*The way Chaminade's voice drips incredulity: "Did you just call me a burger?" and "Your woman?"
*Asif's smiling menace. Andrew leaned over last night and said "Tony's such a nice guy but he's such an asshole in this play."
*Ritchie: "But I think Danny would understand PERFECTLY."
*The whole "Excuse me for going to Catholic school!" joke.
*Veronica's big number "Good Bad Man." Sssssteameh...
*Paula's cute face on "Mayonnaise, shouldn't this be refrigerated?"
*Booth's laconic delivery on "Hey you, get your damn hands off her."
*Tony's glorious voice, utilized so effectively in the anti-ballad "What Good is Love?"
We were all saying our goodbyes last night--Booth couldn't hang out with us last night because he had to drive right back to Connecticut. We were hugging and I said "the next time we work together, could you try to suck a little less?" (I gave Booth very few notes during rehearsals or the run--he understood the character immediately and there really wasn't much I could suggest to improve it. He also has an excellent sense of the larger picture, as an actor--that is, he understands how his performance works with others. In fact I eventually emailed him, apologizing for the lack of notes, saying I loved his work but during rehearsals you have to focus on what still needs to be worked/changed, etc.)
My favorite Admit Impediments moments:
*Veronica's verse in the Act I finale: No matter what you do/Everyone dies alone, it's true/Marry or not, pick any guy/Because we all go alone/When we die. I always looked up to watch that--Alex's simple delivery was just heart-breaking.
*Booth's halting "No...actually...no one ever offered me hot gay pubescent sex..."
*The way Duncan's voice dropped, responding to Asif: "Excuse me?" with the raised eyebrow. Also loved his next two lines: "Oh no, Veronica--your husband did NOT just call us retarded!" and "You can trust me--my boyfriend is a MAN." I love seeing Ritchie finally get riled up.
*Dominic when he butches it all up: "What the FUCK is that supposed to mean?" "What? Come on." "I'm going back in there and kick that motherfucker's ass!"
*Paula and Booth's perfect timing on "Stick on the top shelf...right next to the open jar of mayonnaise." "Right-o."
*Veronica and Ritchie's exchange: "Isn't he the butchiest when he talks that way?" and Ritchie's shameful agreement: "Actually, that was kind of hot..."
*Booth's look of chagrin on "I'm never going to live that down, am I?"
*The way Chaminade's voice drips incredulity: "Did you just call me a burger?" and "Your woman?"
*Asif's smiling menace. Andrew leaned over last night and said "Tony's such a nice guy but he's such an asshole in this play."
*Ritchie: "But I think Danny would understand PERFECTLY."
*The whole "Excuse me for going to Catholic school!" joke.
*Veronica's big number "Good Bad Man." Sssssteameh...
*Paula's cute face on "Mayonnaise, shouldn't this be refrigerated?"
*Booth's laconic delivery on "Hey you, get your damn hands off her."
*Tony's glorious voice, utilized so effectively in the anti-ballad "What Good is Love?"
We were all saying our goodbyes last night--Booth couldn't hang out with us last night because he had to drive right back to Connecticut. We were hugging and I said "the next time we work together, could you try to suck a little less?" (I gave Booth very few notes during rehearsals or the run--he understood the character immediately and there really wasn't much I could suggest to improve it. He also has an excellent sense of the larger picture, as an actor--that is, he understands how his performance works with others. In fact I eventually emailed him, apologizing for the lack of notes, saying I loved his work but during rehearsals you have to focus on what still needs to be worked/changed, etc.)