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Good News, Part One (My Cast is Made of Awesome)
After a thoroughly crappy two weeks ago, last week and this past weekend have turned out wonderfully.
I'll start with A Christmas Carol this weekend. I've been blockingblockingblocking the past several weeks--blocking and then drillingdrillingdrilling. Again and again. Polishing and perfecting the timing, the movement, the text and the acting. One of the reasons these scenes are so complicated is that not only are the traffic patterns tricky, they're also set against the Readers' lines--since I wrote the play, of course I can take out or add lines if necessary but I'd rather not do that, I chose every line for a reason. And then to make it even trickier, the choir is singing over some of these transitions and scenes, so that has to time out as well.
On Saturday we spent four hours in the Music Room and finished the blocking. And the MD taught "Once in Royal David's City" to the Cratchit family, and then "Deck the Halls" (the curtain call) to the cast. We went over some of the bigger scenes that we hadn't run in awhile, and things seemed to be going smoothly. I finished up the rehearsal by working with Mark (Dunn) and Sheila, the two Readers who have some of the densest text in the show (the food porn against the Introduction of Christmas Present, and against the London Streets at Christmas). I worked with them on personalizing the descriptions and words, getting it out quickly and articulately, and at the same time, not rattling it off. We also worked on the timing of the final scene in Act One (yes, we now have an intermission!)--the scene I call "Goodbye to Christmas Past." It's very *dramatic*--as Scrooge is struggling with the Ghost, the Readers are excitedly telling us what's going on, and in the background the choir is reprising "Remember O Thou Man." The scene ends
Mark: ...and had barely time to reel into bed...
Sheila: ...before he sank into a heavy sleep...
Choir: ...Therefore, repent!
It's all very exciting ;-)
Sunday was a long day--we were in the Music Room from 12 to 5:30. We caught up some of the people who hadn't been there on Saturday. The choir wasn't there--they should've been but at the last minute two of them had conflicts (the third had a long-standing conflict) so I had to sing-in for the choir. We girded our loins, gulped and went ahead with what was supposed to be a stumblethrough--but went very smoothly indeed. Amazingly smoothly. For long swaths of time, I only had to stop to give the Readers their entrances and exits.
Can you believe that?! We had our first runthrough nearly THREE WEEKS before we open!!! Does my cast rock or WHAT?!
After the finale, the whole cast applauded. I was literally dancing around, I was so pleased. I still can't believe it--I was marveling at my wonderful actors. I was saying "see, that's the way you do it--you cast the best actors you can and you work around their conflicts, no matter how severe. Because this is when it pays off. They get it. They know what they have to do to make it work."
It's a great cast. Everyone is bonding nicely, and a couple of cast members have approached me about doing some sort of charitable excursion as a cast--a soup kitchen or something like that, something in the spirit of the show. I mentioned this yesterday afternoon and everyone seemed agreeable.
I'll start with A Christmas Carol this weekend. I've been blockingblockingblocking the past several weeks--blocking and then drillingdrillingdrilling. Again and again. Polishing and perfecting the timing, the movement, the text and the acting. One of the reasons these scenes are so complicated is that not only are the traffic patterns tricky, they're also set against the Readers' lines--since I wrote the play, of course I can take out or add lines if necessary but I'd rather not do that, I chose every line for a reason. And then to make it even trickier, the choir is singing over some of these transitions and scenes, so that has to time out as well.
On Saturday we spent four hours in the Music Room and finished the blocking. And the MD taught "Once in Royal David's City" to the Cratchit family, and then "Deck the Halls" (the curtain call) to the cast. We went over some of the bigger scenes that we hadn't run in awhile, and things seemed to be going smoothly. I finished up the rehearsal by working with Mark (Dunn) and Sheila, the two Readers who have some of the densest text in the show (the food porn against the Introduction of Christmas Present, and against the London Streets at Christmas). I worked with them on personalizing the descriptions and words, getting it out quickly and articulately, and at the same time, not rattling it off. We also worked on the timing of the final scene in Act One (yes, we now have an intermission!)--the scene I call "Goodbye to Christmas Past." It's very *dramatic*--as Scrooge is struggling with the Ghost, the Readers are excitedly telling us what's going on, and in the background the choir is reprising "Remember O Thou Man." The scene ends
Mark: ...and had barely time to reel into bed...
Sheila: ...before he sank into a heavy sleep...
Choir: ...Therefore, repent!
It's all very exciting ;-)
Sunday was a long day--we were in the Music Room from 12 to 5:30. We caught up some of the people who hadn't been there on Saturday. The choir wasn't there--they should've been but at the last minute two of them had conflicts (the third had a long-standing conflict) so I had to sing-in for the choir. We girded our loins, gulped and went ahead with what was supposed to be a stumblethrough--but went very smoothly indeed. Amazingly smoothly. For long swaths of time, I only had to stop to give the Readers their entrances and exits.
Can you believe that?! We had our first runthrough nearly THREE WEEKS before we open!!! Does my cast rock or WHAT?!
After the finale, the whole cast applauded. I was literally dancing around, I was so pleased. I still can't believe it--I was marveling at my wonderful actors. I was saying "see, that's the way you do it--you cast the best actors you can and you work around their conflicts, no matter how severe. Because this is when it pays off. They get it. They know what they have to do to make it work."
It's a great cast. Everyone is bonding nicely, and a couple of cast members have approached me about doing some sort of charitable excursion as a cast--a soup kitchen or something like that, something in the spirit of the show. I mentioned this yesterday afternoon and everyone seemed agreeable.